Who is conor oberst

Dave would make fun of me for buying CDs. Dave passed away, and the store is gone now. But he was very generous in the sense that he would let kids hang out there all day and talk shit about music. I became really good friends with him and [songwriter] Simon Joyner, who would work there on occasion.

At that point, I had started writing more in the zone of folk-type stuff. I was getting a little more evolved in my interests.

I think everybody is a combination of their influences, but Townes is the deep, dark part that I carry around. I got really into Elliott Smith around that same period. I absolutely fell for it. It gets misrepresented in the press that I was in the Faint. I was never in the Faint. I was in this band Norman Bailer, which was the precursor to the Faint. We were starting to fuck around with keyboards, but we were basically indie rock.

Once the Faint guys made Blank-Wave Arcade , they were fully on another fucking level. All of a sudden, their little cardigan sweaters were gone and they were dressed in cool shit.

They totally transformed. I still think there are so many bands that owe so much to them. They were just a few years ahead of their time. But if they would have done it at the right time, they would have been the hugest fucking band. It was always the three of us: the Faint, Bright Eyes, and Cursive. We were all best friends.

We made Saddle Creek together, and we made this blood pact that we were going to stay together come hell or high water. Eventually stuff fell apart. One of our friends ended up with control of the whole label, and it was no longer a communal thing, which was the whole idea.

In the end, they have made an album together, have continued to collaborate, and have apparently real chemistry when they play together … look at them, eyes do not lie.

This would only be the umpteenth times this is happening in music history, and I will let you guess which song is about her on the last Bright Eyes album. Featuring personal lyrics and a guest appearance from Conor Oberst suspicious , this song is as beautiful as it is […]. Support Let Me Help Inc by shopping at smile.

Alyson Camus August 27, Even before that, I would write poems, and I can remember being in fourth grade we had creative writing class, and you had to write a poem.

What gave you the conviction to put out your voice in that way at such a young age? Then my middle brother, Justin, we would go hang out at the record store and go to local shows. You made the tape, and then you sold it for three dollars at one of the cool record stores. This older group of friends were already playing in bands, and eventually that group of people were the ones that started Saddle Creek, our first label.

We were lucky to have this one record store called the Antiquarian. They always were trying to give you an education about jazz music and old music. I feel really fortunate to kind of have had that in my town because that was pre-internet. Our heroes were Fugazi and Dischord Records, which was as anti-capitalist as you can be in the United States.

We were going to see Fugazi when I was 11, and they had a thing where they would never charge more than five dollars for a show. We kind of idolized them. Just the idea of indie labels and doing it yourself. For us it was a reality because no one was going to come through Omaha and sign a band. So if we wanted to play music we realized pretty fast that we had to all chip in. I had very supportive parents that let me start touring when I was years-old.

My high school band put out a couple records and played in Los Angeles because we had some friends that were in these punk bands out here. Then after that, it obviously became a thing, but I associated that term with whiny type guitar with someone singing really long notes, and holding out the thing.

Was it ever a question for you about how much pain you were willing to reveal through your music? Everyone called our early Bright Eyes records melodramatic. It is. It was. But I was also an adolescent. It can be a rude awakening. It just drives me crazy. How did you deal with your rise to fame?

With his trembling voice, acoustic guitar, and confessional approach to songwriting, Conor Oberst played an important role in shaping the lighter, intimate side of indie rock during the late '90s and beyond.

His main project was Bright Eyes , an eclectic group of rotating musicians that vacillated between pop, folk, electronica, and country-rock.

Although Oberst remained at the center of that band, he also logged time in a number of other outfits, including Commander Venus , the Magentas, Park Ave. Finally, he supported like-minded artists on an executive level, co-founding Saddle Creek Records in the '90s and launching his own label, Team Love, in He began playing guitar at the age of ten, receiving lessons from his brother Matt -- a part-time teacher who doubled as the vocalist for Sorry About Dresden -- as well as the boys' father.

Conor 's second sibling, Justin Oberst, joined the effort three years later by financing Conor 's first release. This early partnership set the stage for Oberst 's collaborative discography; it also allowed Oberst to further his friendship with Mike Mogis , who would later play an integral role in Bright Eyes ' success.

Although still a young teenager, Oberst joined the ranks of Commander Venus and Norman Bailer who later rechristened themselves the Faint after Oberst 's departure in Along with longtime partner Mike Mogis , Oberst experienced an unexpected amount of success with Bright Eyes.